The Bright Abysses of The Lighthouse (2019) & Sunshine (2007)
“And Moses hid his face, for he was afraid to look upon God.” Exodus 3:6 (NKJV) The story of Moses and the burning bush has rattled my being since I was old enough to understand its nuances. An all-consuming fire…
Review| Underwater (2020)
Everything about the description and trailer of this film screams “This is like Alien, but, like, in the less vast reaches of the ocean floor!!” Even the title on the trailer calls back to the titling on Alien. Kristen Stewart’s…
S07 E01 – Joker and the Final Joke
On this episode of the Reel World Theology Podcast: There has been a lot of conversation (and worry) about the effect that the new Joker film could have on our culture. While this may be another case of over-reaction to…
Hell Is Behind That Door: Suspiria (1977 & 2018) and the Curse of Knowledge
How does one go about remaking Dario Argento’s blood-splattered hallucination Suspiria? One doesn’t. Were one to try they would wreck upon the shoals of its bewildering non-plot and nightmarish visual logic. The most a writer or director can do is…
Reel World: Rewind #041 – Sunshine
On this episode of Reel World: Rewind… Reel World staff members Josh Crabb and Blake Collier are discussing Danny Boyle’s 2007 thought-provoking Sci-Fi movie, Sunshine. A portentous movie about a not-so-implausible future where the sun is dying, Boyle’s movie ponders transcendence,…
Reel World: Rewind #040 – Jaws
On this episode of Reel World: Rewind… Closing out the summer on a high note, Reel World staffer Josh Crabb invites on his old podcast pal, Blaine Grimes, to discuss a movie that holds incredible significance for Blaine, Steven Spielberg’s…
Us: Dark Easter
This article was originally published by our friends over at Grindhouse Theology, and is republished here by permission on the occasion of the home video release of Us. Enjoy! God brought them together. The Messiah taught them the glory of…
A Theological Conversation with Pet Sematary (1989)
Stephen King admits that Pet Sematary may be the most frightening work he’s ever written. Maybe that’s why it’s so complex theologically; both the 1989 film and the 1983 book upon which it is based have lots to say about…
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