Review| Palindrome (2020)
Marcus Flemmings reached out to me after I reviewed his last film, Six Rounds, to view and review his newest film. If you follow my reviews, you might remember that I found Six Rounds to be effective conceptually with the…
Review| The Quarry
Scott Teems’ new film, The Quarry, strikes upon two of my deepest obsessions: southern gothic literature and music. It doesn’t have the magical realism of True Detective’s first season and it doesn’t have the grotesquery of the characters of Flannery…
Review| Burden
Like I talked about in my review of last year’s Skin, it is difficult telling a story of America’s ugly past dealing with racism, and the terrorism that the Ku Klux Klan visited upon our African American brothers and sisters. It…
Review| After Midnight (2020)
Jeremy Gardner is one of those actors that is instantly recognizable and yet many may not know—unless, like me, you are entrenched in the larger horror community—that he is a triple threat when it comes to films. After Midnight is…
Review| Gretel & Hansel (2020)
Osgood Perkins (director of I Am the Pretty Thing that Lives in the House and The Blackcoat’s Daughter) has done it again with his slow-burn retelling of this fairy tale. The structure of the story remains the same from the…
Re:View| Flash Gordon: 40th Anniversary
“Pathetic earthlings. Hurling your bodies out into the void, without the slightest inkling of who or what is out here. If you had known anything about the true nature of the universe, anything at all, you would have hidden from…
Review| Color Out of Space (2020)
I have written elsewhere about the troubles that surround the legacy of H.P. Lovecraft and the shadow his oeuvre casts over the horror community, for both good and ill. His stories continue to inspire literature, film, television, and even music…
Review| Bad Boys For Life
Michael Bay took a backseat approach to the newest installment of the Bad Boys franchise—a franchise that was significant for how it brought black actors to the forefront in the beginning—as a producer and brought in Belgian directors, Adil &…
The Bright Abysses of The Lighthouse (2019) & Sunshine (2007)
“And Moses hid his face, for he was afraid to look upon God.” Exodus 3:6 (NKJV) The story of Moses and the burning bush has rattled my being since I was old enough to understand its nuances. An all-consuming fire…
Review| Underwater (2020)
Everything about the description and trailer of this film screams “This is like Alien, but, like, in the less vast reaches of the ocean floor!!” Even the title on the trailer calls back to the titling on Alien. Kristen Stewart’s…