Seriously, Watch Ozark
This is a show that seems to be built on the suffering of fallen humanity, grounded in realism, and set against the backdrop of a very gray and gothic middle America.
In other words, it’s great.
How (and Why) you really should still watch TENET (2020)
This article may seem late to some of you. But, since the film barely made a profit at the box office, and its digital release made few waves, I think it’s safe to assume that most folks have yet to…
“Take, Eat”— Redeeming Consumption in The Platform
The Platform is the English title of Galder Gaztelu-Urrutia’s 2019 Spanish science fiction-horror film, El Hoyo. Its original title poses “the hole” or “the pit” as the film’s controlling image, whereas the version American audiences have recently become exposed to…
Aliens Just Like Us: The Man Who Fell to Earth (1976) & Under the Skin (2013)
“Every village and small country place is full of people who’ve just come and settled there without any ties to bring them. The big houses have been sold, and the cottages have been converted and changed. And people just come…
A Deluge of Dark Water(s): The Dark Waters of Dark Waters (1944), Dark Waters (1993), Dark Water (2002), and Dark Waters (2019)
When I was a child, I thought I was surrounded by bad guys. This is not a metaphor. I had the creeping suspicion that everyone I knew—my grandma, the dentist, the children’s pastor at my church, my pre-school teachers, everybody—was…
Review| Palindrome (2020)
Marcus Flemmings reached out to me after I reviewed his last film, Six Rounds, to view and review his newest film. If you follow my reviews, you might remember that I found Six Rounds to be effective conceptually with the…
Review| The Quarry
Scott Teems’ new film, The Quarry, strikes upon two of my deepest obsessions: southern gothic literature and music. It doesn’t have the magical realism of True Detective’s first season and it doesn’t have the grotesquery of the characters of Flannery…
Parasite: A Tragedy Without Villains
As a depiction of ordinary people who fall into an unavoidable commotion, this film is: a comedy without clowns, a tragedy without villains, all leading to a violent tangle and a headlong plunge down the stairs. You are all invited…
Review| Gretel & Hansel (2020)
Osgood Perkins (director of I Am the Pretty Thing that Lives in the House and The Blackcoat’s Daughter) has done it again with his slow-burn retelling of this fairy tale. The structure of the story remains the same from the…
Review| Bad Boys For Life
Michael Bay took a backseat approach to the newest installment of the Bad Boys franchise—a franchise that was significant for how it brought black actors to the forefront in the beginning—as a producer and brought in Belgian directors, Adil &…