On this episode of the Reel World Theology Podcast: While maybe not an awards contender in 2019, we talk about a movie that we have been anticipating for nearly a decade, a Zombieland sequel. Is it fun? Was it worth…

Read more

Okay, so everybody’s calling him “Mando” now.  No, no, I’m not bitter, Greef Carga. I just want the record to show that I called him that way back in Chapter 1. And honestly, if this is the sort of story…

Read more

“If no one remembers a misdeed or names it publicly, it remains invisible. To the observer, its victim is not a victim and its perpetrator is not a perpetrator; both are misperceived because the suffering of the one and the…

Read more

“But you looked at me and I could see your mother in your eyes I thought about the things she lost and how she always cries And how your daddy tries to fight the truth with Bombay gin And I…

Read more

The second episode of The Mandalorian did not disappoint, but again it required a second viewing to really give the show its due. I was a bit overwhelmed in this episode at how much like A New Hope it felt;…

Read more

It took until my second viewing of The Mandalorian’s “Chapter One” for me to take a good critical look at the show. My internal eleven-year-old, long since resigned to never again having an experience like Shadows of the Empire, finally…

Read more

On this episode of Reel World: Rewind… Josh finally gets Fizz back on Rewind to talk about a movie he loves to talk about, the 2009 Ruben Fleischer movie Zombieland. With the recent release of the surprise sequel, Zombieland: Double Tap,…

Read more

We all live with the weight of our life’s choices. Some of those choices we seem to forget about by moving on with our lives. Others linger with us for a long time, perhaps even the rest of our lives.…

Read more

On this episode of the Reel World Theology Podcast: Spider-man: Far From Home brings to a close the latest phase of the Marvel Cinematic Universe. Does it truly bring closure? Does it pick up on the incredible success of Homecoming?…

Read more

The horror genre, since its inception, has busied itself with social commentary from macro to micro. Standouts have been made across that spectrum. It is one of the many flexible components of genre-filmmaking: the ideas driving the films can be…

Read more

50/257