This article was originally published by our friends over at Grindhouse Theology, and is republished here by permission on the occasion of the home video release of Us. Enjoy! God brought them together. The Messiah taught them the glory of…

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On this episode of the Reel World Theology Podcast: Another special PATRON sponsored episode. Another of our esteemed Patreon sponsors, Hunter and Stephie Van Wagenen, have selected one monster of a film, Godzilla: King of the Monsters. The 2014 Godzilla…

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There is a whole generation of people (myself included) that were raised on CCM (Contemporary Christian Music) artists, most of which was a mere husk in form of popular music that was created at the same time. For every Michael…

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This piece was originally published on October 26, 2018 at Grindhouse Theology. With their permission, it is being republished here. The concept of innocence is unusual coming from a Judeo-Christian viewpoint. Many branches of Protestant thought incorporate some formulation of sin…

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“[George Romero] turns the whole concept into something completely different. You can’t control the zombies. They are out of control. Generally, monsters — vampires, Frankenstein, Godzilla, whatever — they are outside the social structure. They are a danger to it, they are…

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On this episode of Reel World: Rewind… Journey into “The Age of Wonder” with co-host Josh Crabb and returning co-host Blaine Grimes as they discuss Jim Henson’s 1982 visionary classic, The Dark Crystal. Using the bookends of the forthcoming Netflix series…

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The sci-fi comedy Men in Black is two decades old. (Though it probably doesn’t remember, having been “flashy-thinged” too many times.) Today, its third sequel comes out: look out for our review of Men In Black: International next week, but…

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I read an article talking about how I Am Mother is really about robots taking over the world. But what if it portrays much more than that? Human-kind has been wiped out. It no longer exists. A robot wakes up.…

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It’s difficult, bordering on impossible, to talk about Amazon & BBC’s Good Omens miniseries from a Christian perspective without talking about the Biblical setting it inhabits and the Christian trappings it wears. Many are obvious, like the angelic and demonic…

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However, Godzilla: King of the Monsters maintains the legacy of the franchise in a way that the 1998 or 2014 do not because of their overtly Western narrative frameworks. It concentrates on the kaiju, first and foremost, while obscuring the human stories in order to broaden the thematic world beyond the human perspective, and it maintains the environmental critique that has been present since the first film. Within the legacy of Toho, the film is everything one could expect.

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