On this episode of the Reel World Theology Podcast: From its announcement, First Reformed has been one of the most requested episodes of Reel World Theology– even before the film came out. It only took the trailer and the people…

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In Which Spock Gets His Heart I unabashedly love this movie, and pretty much have since I got it on a videotape. The opening scene is fantastic. It really *is* visually and musically a lovely movie. Almost 40 years after…

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On this episode of the Reel World Theology Podcast: We did it! We had a full– and legit– episode on The Meg. Given, it gives us a chance to compare it to other films we may have liked more, but…

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Great films are able to transcend their genre and the context that the protagonist’s story is unfolding in. Great storytelling gives viewers a sense of connection and resonance, even if they aren’t a part of that subculture or have anything…

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Brian Henson, son of the late Jim Henson and producer/director of Happytime Murders, seeks to expand upon his father’s legacy of telling adult stories through the medium of puppetry. As much as the second-generation puppeteer is fairly confident the creator of…

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The 1920s holds a special place within cinema history as German Expressionism makes its way onto American shores. Known for its angular, almost surreal, settings and its narrative gloom, German Expressionism gave silent cinema some of the most fantastical and…

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On this episode of the Reel World Theology Podcast: We talk for a very long time about how good a movie BlacKkKlansman is and what it can teach us about our past and our present. How do movies about racism…

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On this episode of Reel World: Rewind… A cerebral zombie movie taking place at a small, local radio station in rural Canada about the zombie-like infection being spread by language has perhaps been the most difficult episode ever to record…

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Despite their Stephen King pedigrees and the guiding hand of writer-director Frank Darabont, few films initially appear to have as little in common as The Shawshank Redemption and The Mist. Released in 1994 to critical acclaim but little fanfare, Shawshank…

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Adulting is hard. Jessie (Camila Morrone) and Angela (Maia Mitchell) put that into sharp focus in their small Texas town as they coast from one high to the next and try to get by working at their diner jobs. Of…

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