Review| Palindrome (2020)
Marcus Flemmings reached out to me after I reviewed his last film, Six Rounds, to view and review his newest film. If you follow my reviews, you might remember that I found Six Rounds to be effective conceptually with the…
Review| Burden
Like I talked about in my review of last year’s Skin, it is difficult telling a story of America’s ugly past dealing with racism, and the terrorism that the Ku Klux Klan visited upon our African American brothers and sisters. It…
Review| After Midnight (2020)
Jeremy Gardner is one of those actors that is instantly recognizable and yet many may not know—unless, like me, you are entrenched in the larger horror community—that he is a triple threat when it comes to films. After Midnight is…
Review| Gretel & Hansel (2020)
Osgood Perkins (director of I Am the Pretty Thing that Lives in the House and The Blackcoat’s Daughter) has done it again with his slow-burn retelling of this fairy tale. The structure of the story remains the same from the…
Review| Underwater (2020)
Everything about the description and trailer of this film screams “This is like Alien, but, like, in the less vast reaches of the ocean floor!!” Even the title on the trailer calls back to the titling on Alien. Kristen Stewart’s…
Review| The Grudge (2020)
After Nicolas Pesce’s moody arthouse debut in 2016 with The Eyes of My Mother and his follow-up, Piercing—an adaptation of Japanese author Ryû Murakami’s novel, another American adaptation of the 2002 Japanese horror film, Ju-On: The Grudge seemed like an…