S07 E06 – A Christmas Story and Magic in the Margins
On this Christmas episode of the Reel World Theology Podcast: As we do every year, we take a look at a Christmas classic. This year we are compelled to talk about a movie that has varying degrees of appreciation among…
S07 E05 – The Rise of Skywalker and Choosing Our Family
On this episode of the Reel World Theology Podcast: What more appropriate way to end an up and down 2019 than with what will likely be one of the most disagreed-upon films of the year, The Rise of Skywalker. Leave…
S07 E04 – A Beautiful Day in the Neighborhood and Seeing Humanity
On this episode of the Reel World Theology Podcast: In a world of division and social media outrage, it is occasionally nice to have a refreshing voice reminding us of the kinder side of humanity. A Beautiful Day in the…
S07 E03 – Zombieland: Double Tap and Sequel Necessity
On this episode of the Reel World Theology Podcast: While maybe not an awards contender in 2019, we talk about a movie that we have been anticipating for nearly a decade, a Zombieland sequel. Is it fun? Was it worth…
#207 – Stranger Things 3 and Commoditized Community
On this episode of the Reel World Theology Podcast: The most popular show on NETFLIX is back and brings with it all the nostalgia and mystery that we have come to expect. Stranger Things enters its third season and there…
#206 – Spider-Man: Far From Home and Absolute True Facts
On this episode of the Reel World Theology Podcast: Spider-man: Far From Home brings to a close the latest phase of the Marvel Cinematic Universe. Does it truly bring closure? Does it pick up on the incredible success of Homecoming?…
#203 – Tolkien and Differing Expectations
On this episode of the Reel World Theology Podcast: A special PATRON sponsored episode. One of our esteemed Patreon sponsors, Dave Courtney, has selected the latest biopic about the life of JRR Tolkien. We gather the troops to talk about…
A Theological Conversation with Pet Sematary (1989)
Stephen King admits that Pet Sematary may be the most frightening work he’s ever written. Maybe that’s why it’s so complex theologically; both the 1989 film and the 1983 book upon which it is based have lots to say about…
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