Review| The Quarry
Scott Teems’ new film, The Quarry, strikes upon two of my deepest obsessions: southern gothic literature and music. It doesn’t have the magical realism of True Detective’s first season and it doesn’t have the grotesquery of the characters of Flannery…
Reviewing the Classics| The Gospel According to St. Matthew
When Pier Paolo Pasolini, the Italian director of The Gospel According to St. Matthew, was asked why his movies so often dealt with religious themes despite his communist leanings and professed atheism, he responded, “If you know that I am an…
Oh! The Horror… | of Deconstructing the Heart of the Slasher Genre
Greater love has no one than this, that someone lay down his life for his friends. — John 15:13 (ESVUK) I just thought what was so clever about the conceit of the movie is that it really is the story…
Review| Shaun the Sheep Movie
Only a month ago I lamented the sad, missed opportunity of the Minions movie to flesh out a premise of the main protagonists search for a master to serve. After an intriguing first five to ten minutes, the premise of…
Reviewing the Classics | The King of Kings
Cecil B. DeMille’s depiction of the life of Christ is “a reverent spectacle.” The silent film embodies both piety and theatrics, and features a tranquil Christ in the midst of a melodramatic world. DeMille’s nearly 3-hour epic features scenes and…