Review| Underwater (2020)
Everything about the description and trailer of this film screams “This is like Alien, but, like, in the less vast reaches of the ocean floor!!” Even the title on the trailer calls back to the titling on Alien. Kristen Stewart’s…
Review| The Grudge (2020)
After Nicolas Pesce’s moody arthouse debut in 2016 with The Eyes of My Mother and his follow-up, Piercing—an adaptation of Japanese author Ryû Murakami’s novel, another American adaptation of the 2002 Japanese horror film, Ju-On: The Grudge seemed like an…
Saying Farewell to a Decade of Farewells with The Farewell
For Verona Lou Collier “If the dead are not raised, ‘Let us eat and drink, for tomorrow we die.’” -1 Corinthians 15:32 Lulu Wang’s The Farewell (2019) opens with a joke about how to tell a woman that her cat…
My Top Ten 2019: Blake I. Collier
#10: Horror Noire: A History of Black Horror I read Robin Means Coleman’s history of African American representation in horror a few years ago so when I heard it was going to be made into a full-on documentary, I was…
The Force is Strong In My Family: A Look Back at the Star Wars Saga
The saga that created the modern blockbuster is “over.” And while The Mandalorian, a plethora of upcoming Disney+ shows, and a still-rumored Rian Johnson trilogy will keep the Far, Far Away galaxy on our screens until the heat death of…
The Mandalorian Chapters 7 and 8: Failure's Favor
It was almost impossible to review and comment on “The Reckoning” without seeing “The Redemption.” Chapters 7 and 8 are the show’s first true two-part episode; they’re truly and completely entwined and inextricable from one another, and with Deborah Chow…
Watchmen (2019): Full Series Review
During the first half of the series, it would not have been odd for a viewer to assume the crux of the series’ narrative would rely mostly on the characters of Sister Night, Looking Glass, and Laurie Blake as they…