My Bottom Five 2018: Mark Wingerter
Look, I’m a writer. Okay? So if you’ve got a bad script, I feel bad for you, son. You’re going on the bottom of my list no matter how pretty or charismatic you might be. And that’s what each of…
Oscar Nominations 2018 – Winners and Losers
The nominees for the 91st Academy Awards have been announced! And of course, like any major announcement of awards or movie news, there will be things we loved and tragic oversights. So, here are some quick thoughts and observations on…
#194 – The Rider and Masking Our Brokenness
On this episode of the Reel World Theology Podcast: We’re back with another Patreon sponsored episode. This time, Patron, and friend of the show, Dave Courtney asked us to chat about The Rider, an independent film that has garnered a…
My Bottom Five 2018: Blake I. Collier
Unlike my top ten films list, my bottom five were rather easy to select; but probably more controversial than most lists. When I hate a movie, I actively despise it and the more praise that gets heaped on it—if praise…
My Top Ten 2018: Fizz
I think curating a top 10 list of films these days is like navigating a minefield. There are literally so many films being made every year that, even watching over a hundred a year, you have a swiss-cheese amount of…
of the 1960s
As we continue into the 1960s, we see, once again, another dramatic shift in the film industry. Theater palaces are being forgotten in the wake of the creation of multiplexes. As history proves time and time again, capitalism stokes the…
My Top Ten 2018: Blake I. Collier
There’s a compulsion in me that says my inability to see every movie released in a year renders my list futile. It’s just another variation on the “fear of missing out.” As I made this year’s futile list, I recognized…
The Natural & Contrived Loves of The Lobster (2015) & Never Let Me Go (2010)
Yorgos Lanthimos’ seventh directorial feature, The Lobster, is a compulsive critique on societal expectations often assigned to an individual’s relationship status. It’s a dark comedy that is as neurotic as its Greek director (see Dogtooth and The Killing of a…
My Top Ten 2018: Josh Crabb
When looking back at 2018 in movies, it may be seen as a lackluster year or possibly an underrated year. Looking back at what I saw, I’m surprised by how many big movies were either outright no good or just…
My Top Ten 2018: David Atwell
2018 was the year of surprises, the year of emotional stakes, the year of superheroes and supervillains. A friend of mine likes to quote Roger Ebert, who said that “movies are the most powerful empathy machine in all the arts,”…