I read an article talking about how I Am Mother is really about robots taking over the world. But what if it portrays much more than that? Human-kind has been wiped out. It no longer exists. A robot wakes up.…

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However, Godzilla: King of the Monsters maintains the legacy of the franchise in a way that the 1998 or 2014 do not because of their overtly Western narrative frameworks. It concentrates on the kaiju, first and foremost, while obscuring the human stories in order to broaden the thematic world beyond the human perspective, and it maintains the environmental critique that has been present since the first film. Within the legacy of Toho, the film is everything one could expect.

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On this episode of Reel World: Rewind… We know Kung-Fu. Well, not really, unless Gene forgot to tell us he actually DOES know it. However, one thing we do know is The Matrix is a defining movie in the prolific movie year…

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Have you heard? There’s a new Star Wars film coming this year. It’ll be the final film of the sequel trilogy which began in 2015 with The Force Awakens, the final film of the Skywalker Saga which began in 1977…

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Oh, the 1980s. What a decade, what strange dichotomies befall us in digging into the film of this era. Read sites about film in the 1980s and you’ll see thinly disguised passive aggression towards the general cinematic output of the…

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On this episode of the Reel World Theology Podcast: The Marvel Cinematic Universe cruises right along with another great character addition. Captain Marvel is a film that, like many other films over the past few years featuring female leads in…

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Spoiler warning: Plot spoilers for Captain Marvel follow. It took ten years and 21 movies, but the Marvel Cinematic Universe has finally given us a female superhero movie; and as far as I’m concerned, it was the one I was…

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“If we were vampires and death was a joke We’d go out on the sidewalk and smoke And laugh at all the lovers and their plans I wouldn’t feel the need to hold your hand Maybe time running out is…

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Sometimes our writers don’t agree. Most of the time it’s hilarious, all of the time it’s entertaining. And when those disagreements are so intractable, so irreconcilable, we put them in the ring and let them sort it out with verbal…

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Yorgos Lanthimos’ seventh directorial feature, The Lobster, is a compulsive critique on societal expectations often assigned to an individual’s relationship status. It’s a dark comedy that is as neurotic as its Greek director (see Dogtooth and The Killing of a…

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