The film reviews coming out of major news and cultural commentary sites seem to fall within two categories when attempting to grapple with Luca Guadagnino’s Suspiria: heartened, passionate praise for its visual flair and technique or a negatively-imbalanced recognition of…

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There is a significant distinction between a tragic hero and a foregone conclusion. While both retain the characteristic of giving the audience foreknowledge of their impending fate, only the tragic hero invites the will of the audience to push against…

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