Three monuments stand erect in a staggered row along a road that gets little traffic in the town of Ebbing, Missouri; justice, here, like any other place is relegated to the backroads of peoples’ consciousness and not its central thoroughfares.…

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The tension between the sadistic and masochistic appeals of horror was reflected in the divide between Cunningham and Craven. The producer saw LAST HOUSE as an escape, an outlet for some dormant pain. As it happens, he also knew that…

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