However, Godzilla: King of the Monsters maintains the legacy of the franchise in a way that the 1998 or 2014 do not because of their overtly Western narrative frameworks. It concentrates on the kaiju, first and foremost, while obscuring the human stories in order to broaden the thematic world beyond the human perspective, and it maintains the environmental critique that has been present since the first film. Within the legacy of Toho, the film is everything one could expect.

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Like the art of misdirection, comedies can hold an audience’s attention with on-point comedic timing or a well-placed moment of slapstick. It’s smoke and mirrors. While you’re laughing at a joke that played well, you might not notice (or care)…

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