This is a show that seems to be built on the suffering of fallen humanity, grounded in realism, and set against the backdrop of a very gray and gothic middle America.

In other words, it’s great.

Read more

The streets are music and the stars are made of fireworks; the coffee isn’t coffee but it’s love con leche, and sueñitos of the peoples in these ordinary places come alive in Washington Heights. You just have to see the…

Read more

This article may seem late to some of you. But, since the film barely made a profit at the box office, and its digital release made few waves, I think it’s safe to assume that most folks have yet to…

Read more

“I can’t go up there. But you can love me down here.” —Cate Hosea, a new film by filmmaker Ryan Daniel Dobson, is a creative and gritty take on the book of Hosea that manages to capture the honest and…

Read more

The Platform is the English title of Galder Gaztelu-Urrutia’s 2019 Spanish science fiction-horror film, El Hoyo. Its original title poses “the hole” or “the pit” as the film’s controlling image, whereas the version American audiences have recently become exposed to…

Read more

“Who killed the world?” This question haunts the now five-year-old masterpiece Mad Max: Fury Road. Though it is only uttered twice in the film, the state of Fury Road’s world demands it be asked. The barren desert landscape bears witness…

Read more

I watched Douglas James Vail’s 40: The Temptation of Christ, and I had some questions. So I decided to ask the screenwriter. Reed Lackey is a friend of Reel World Theology; he’s one half of Christian horror podcast The Fear…

Read more

On this episode of the Reel World Theology Podcast: This episode ballooned from a written article into a full-fledged podcast episode. Friend of Reel World Theology, Reed Lackey, wrote the movie 40: The Temptation of Christ and it debuted this…

Read more

In the year 1939, two blockbuster movies burst onto the big screen in brilliant technicolor, forever changing the face of American film: Gone with the Wind and The Wizard of Oz. On the surface, the heroines of both films have…

Read more

Tom Hanks’ Greyhound doesn’t waste much time on exposition: on-screen text tells you how crucial supply convoys are to the Allies in Europe. A brief flashback introduces you to Hanks’ Commander Krause. But tension and dread is already building by…

Read more

20/797