Seriously, Watch Ozark
This is a show that seems to be built on the suffering of fallen humanity, grounded in realism, and set against the backdrop of a very gray and gothic middle America.
In other words, it’s great.
How (and Why) you really should still watch TENET (2020)
This article may seem late to some of you. But, since the film barely made a profit at the box office, and its digital release made few waves, I think it’s safe to assume that most folks have yet to…
The Commodification of Gomer in Hosea (2019)
“I can’t go up there. But you can love me down here.” —Cate Hosea, a new film by filmmaker Ryan Daniel Dobson, is a creative and gritty take on the book of Hosea that manages to capture the honest and…
“Take, Eat”— Redeeming Consumption in The Platform
The Platform is the English title of Galder Gaztelu-Urrutia’s 2019 Spanish science fiction-horror film, El Hoyo. Its original title poses “the hole” or “the pit” as the film’s controlling image, whereas the version American audiences have recently become exposed to…
Who Killed the World? | Mad Max: Fury Road (2015)
“Who killed the world?” This question haunts the now five-year-old masterpiece Mad Max: Fury Road. Though it is only uttered twice in the film, the state of Fury Road’s world demands it be asked. The barren desert landscape bears witness…
7 Questions for Reed Lackey, Writer of 40: The Temptation of Christ
I watched Douglas James Vail’s 40: The Temptation of Christ, and I had some questions. So I decided to ask the screenwriter. Reed Lackey is a friend of Reel World Theology; he’s one half of Christian horror podcast The Fear…
S07 E07 – 40: The Temptation of Christ and the Powerful Necessity of Suffering
On this episode of the Reel World Theology Podcast: This episode ballooned from a written article into a full-fledged podcast episode. Friend of Reel World Theology, Reed Lackey, wrote the movie 40: The Temptation of Christ and it debuted this…
A Tale of Two Heroines: Revisiting the Past with Gone with the Wind (1939) and The Wizard of Oz (1939)
In the year 1939, two blockbuster movies burst onto the big screen in brilliant technicolor, forever changing the face of American film: Gone with the Wind and The Wizard of Oz. On the surface, the heroines of both films have…
Greyhound: Harassed and Helpless
Tom Hanks’ Greyhound doesn’t waste much time on exposition: on-screen text tells you how crucial supply convoys are to the Allies in Europe. A brief flashback introduces you to Hanks’ Commander Krause. But tension and dread is already building by…